15 october 2023

VISAVÌ EXPERIMENTAL CONTEST
Compagnia Bellanda

Sunday 15 october 2023, 3.30 PM
NOVA GORICA, SNG SLOVENE NATIONAL THEATRE

Compagnia Bellanda

VISAVÌ EXPERIMENTAL CONTEST


DJ Set Maurizio “Aron Shorty” Cecatto
Live music: Organiks
Jury: Vladimir Gruev, Alfano "Pumba" Lombardi, tbd
Guests Elina Vasquez & Daniele Cavuoti
Elena del Vecchio & Lucrezia Molinari
Alessandra Ruggeri & Giulia Alvear
Daniele “Little D” Lardieri & Tommaso Narcetti
Janne Boere & Noa Siluvangi
Francesco Bressan & Luca Bressa
Luciano Zimbardi & Erica Taverna
Ibrahim “Ibra" Re & Filippo "Fanta" Vanzetto
Host Massimiliano "Massi" Mosti
In collaboration with Compagnia Bellanda

The Visavì Experimental Contest is a one-of-a-kind event. A challenge catering to all types and techniques of dance, where participants are invited to put their dance in dialogue with that of others and with live music. The leitmotif of the event is improvisation, which makes the event unique and unpredictable and pushes all participants, dancers and musicians to give their best.

The Visavì Experimental Contest stems from the successful experience of Bellanda Suite, the two-day hip-hop, breakdance, and contemporary dance event founded in Cormons in 2016 by Artisti Associati and Compagnia Bellanda. An event that has seen the participation of more than 120 young talents over the years from all Italy, as well as from Slovenia, France, the Netherlands, Germany, Poland…

interview

How does the “Visavì Experimental Contest” work?
The Visavì Experimental Contest is what we may call “a battle show”, an event where the board directly invites the guest dancers to perform and participate in the challenges. Dancers who have distinguished themselves in other contests and festivals and who are directly invited to participate and bring their personal perspective on dance. A duo challenges another duo, so it’s two dancers face to face with other two dancers. All dance styles are allowed, they confront each other and engage in a dialogue.
The artists perform accompanied by live music and improvisation is the fil rouge of the event and they follow the tasks and the key words decided by the jury: both the dancers and the musicians create art on the spot.
The jury evaluating the performances consists of three experts in the field, and by this we mean professional performers, choreographers, directors of dance companies, dance journalists. This composition of the group is designed in order to give different types of opportunities to the dancers: work proposals following this event are now a regular occurrence (work proposals not connected to the event itself, but thanks to the meeting).

Where did the idea come from and why?
The idea was born out of the very desire to be part of it. The idea came from a person who first and foremost was a dancer and still is. The desire to find and create an opportunity to show one’s own dance research, to share one’s visions, to meet new artists, to dance to live music and perhaps to receive some feedback on the hard work of this profession that requires so much obstinacy and constancy. So basically, it all came about thinking about what I would have liked to experience but was only able to see abroad.
When I introduced this contest, and Artisti Associati supported me in starting off this project, there were no “experimental” events in Italy, and I took inspiration from events abroad in which I had taken part and from which I took cues for some of the dynamics of the contest. Then I added some more, thinking about what I would like to do if it were me participating.

What is the role of the audience?
The audience has a fundamental role: to give their vote. While on the one hand we have the jury, made of “experts” in the field from a technical point of view, on the other hand we have the audience, experts in the field from an “empathetic” point of view. We all know that, luckily or not, technique is not enough, but we also need something else, something which can’t be evaluated with a number from 1 to 10 but which “gets” to the viewer from a very personal point of view.
For this reason, during the final challenge, the audience is asked to share their preference. A majority will be calculated, and the opinion of the audience will be added to the one of the judges to find the winner.

The most beautiful thing of this experience:
There are many, the best thing is the new acquaintances that one makes during the contest, whereas maybe the most beautiful moment is when all the dancers are together on stage, ready to perform and in the background the musicians start warming up their instruments, a moment charged with energy.

Tell us as if you should explain it to a child: why have you started dancing?
Because I liked it, time flied and when I was done, I was so happily tired!

According to your personal experience, a border is:
The beginning.

A project by:

With the support of:
Ministero della Cultura / Regione Friuli Venezia Giulia / Io sono FVG
Comune di Gorizia / Fondazione Cassa di Risparmio di Gorizia

In collaboration with:
GO! 2025 / Comune di Cormons / Comune di Gradisca d’Isonzo / ERPAC / APT / Ente Regionale Teatrale del FVG
SNG Teatro Nazionale Sloveno di Nova Gorica / Kulturni dom di Gorizia / Kulturni Center Lojze Bratuž
Palazzo del Cinema-Hiša Filma di Gorizia / PAN ADRIA network / TIARE Shopping

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