Subtle and invisible energies lead three bodies into the scene, embodying different traits of a love that, in the sign of the feminine, generates its own trace. Dominated and bound by red – the colour of love and passion, but also of violence, danger and blood – they generate visionary images that crumble into sensual dynamics and desire.
Artificial Paradises are signs, engraved and tattooed in space, tangible mirrors of a hidden eros, prosthesis of a love that is unable to give itself but that, in the end, inevitably overwhelms us.